WHAT ON EARTH ARE YOU THINKING?
ON ADDING DEPTH AND SPECIFICITY TO YOUR PERFORMANCE It’s always daunting to introduce a new romantic interest to one’s parents. When your father is a well-respected actor and the new girlfriend is an...
BEING SEEN
THE GIFT OF PRESENCE
IMPULSE SCHMIMPULSE . . . OR MAYBE NOT.
THE PARADOX OF BEING IN THE MOMENT
Talking Headshots
WOULD YOU RATHER GET SHOT IN THE HEAD THAN GET A NEW HEADSHOT?
NAVIGATING THE WHALE: PART III
So there I was, spending the holidays at my father’s house, joined by my children, and also feeling the pressure of the amount of work that I have to do to prepare for this role. I get precious little...
SCENE STUDY STEPS: A PRIMER FOR THE AMATEUR AND THE PRO.
PART 2: THE FIRST REHEARSAL, AND BEYOND
LINDSAY JONES: CREATION WITH SOUND
We sit in a theater as we sit in a church or a temple, waiting to be inspired, to be told a story, to catch a glimpse of truth. The lights dim, fade to black, and the theater is formless and empty....
SCENE STUDY STEPS: A PRIMER FOR THE AMATEUR AND THE PRO
PART 1: BEFORE THE FIRST REHEARSAL
KOLVENBACH RULES!
ESSENTIAL ADVICE FROM A BRILLIANT PLAYWRIGHT
MY TOOLBOX . . .
AND UTA HAGEN'S SIX STEPS