LESS IS MORE
A DISCUSSION OF THE ACTOR AND THE KULESHOV EFFECT
EDIT “ING” FOR ACTIVE PROSE
HOW TO BRING PACE AND IMMEDIACY TO YOUR NARRATIVE
WHAT ON EARTH ARE YOU THINKING?
ON ADDING DEPTH AND SPECIFICITY TO YOUR PERFORMANCE It’s always daunting to introduce a new romantic interest to one’s parents. When your father is a well-respected actor and the new girlfriend is an...
Behind the Scenes: The Storyteller’s Eye
It is one thing for an editor to tell you to show, rather than tell. It is quite another to figure out how to do it. We work every day with authors, some of whose first foray into the literary world is...
BEING SEEN
THE GIFT OF PRESENCE
Breathing Life
TRAVERSING THE DISTANCE FROM PAGE TO STAGE
IMPULSE SCHMIMPULSE . . . OR MAYBE NOT.
THE PARADOX OF BEING IN THE MOMENT
To Speak or To Be Heard
WHY STORYTELLERS STUDY CRAFT AND TECHNIQUE
Confessions of a Utility Infielder
NOTES ON PLAYING 9+ ROLES IN THE SOUTH COAST REP PRODUCTION OF ALL THE WAY
Talking Headshots
WOULD YOU RATHER GET SHOT IN THE HEAD THAN GET A NEW HEADSHOT?