TEARS FOR FEARS
STEPPING UP TO THE PLATE AS A NEW ENTREPRENEUR
YOU NEED TO STOP ACTING
BEING VS. DOING
LESS IS MORE
A DISCUSSION OF THE ACTOR AND THE KULESHOV EFFECT
EDIT “ING” FOR ACTIVE PROSE
HOW TO BRING PACE AND IMMEDIACY TO YOUR NARRATIVE
WHAT ON EARTH ARE YOU THINKING?
ON ADDING DEPTH AND SPECIFICITY TO YOUR PERFORMANCE It’s always daunting to introduce a new romantic interest to one’s parents. When your father is a well-respected actor and the new girlfriend is an...
Behind the Scenes: The Storyteller’s Eye
SHOW, DON'T TELL
BEING SEEN
THE GIFT OF PRESENCE
Breathing Life
TRAVERSING THE DISTANCE FROM PAGE TO STAGE
IMPULSE SCHMIMPULSE . . . OR MAYBE NOT.
THE PARADOX OF BEING IN THE MOMENT
To Speak or To Be Heard
WHY STORYTELLERS STUDY CRAFT AND TECHNIQUE
