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POINT OF VIEW: CHARACTER VS. STORY

5/14/2012

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As the actor, I usually try pretty hard not to think about what the play is about, because I can’t act that. I can only act, “What do I want right now?” Who’s familiar with the Angels in America? It’s a play that dealt a lot with issues of homosexuality in the ’80s in the United States of America, sociopolitically, economically, a huge, amazing piece of work. It won the Pulitzer Prize.
     I can’t act that. If I’m playing Louis in Angels in America, I can’t act, “Hi, I’m here to tell you about what was going on sociopolitically around the issues of AIDS in the United States of America in the ’80s.” I can’t do that. I can only act what Louis wants and how he moves through his day. The playwright has to make that reflect the issues that he’s talking about.
     That said, I will now prove myself a hypocrite. There have been times where I’ve said to a director, “I don’t wanna do it that way.” “Why not?” “Because, if we’re doing it that way, then the play is gonna be about something else. It’s gonna be telling a different story. And I’m not interested in telling that story.”

This is an excerpt from a talk I gave on acting as a career as part of the Working Professional Series at the Theater Department of Lehman College. It is also available as a transcript and podcast on the Lehman College Website.
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